Marina Abramović, a pioneer of performance art, presents her first major retrospective in Switzerland at the Kunsthaus Zürich. The exhibition includes works from every phase of her career, iconic performances and a new, interactive piece.

Works from all creative periods; audience as performers

Admission with time slot tickets, book online!

Timeslot tickets: CHF 31.– / CHF 22.–* including access to the entire collection.
*concessions and groups

Free admission for members and Children under the age of 14.
PLAN YOUR VISIT

Note for groups

We look forward to welcoming you to the Kunsthaus. For organizational reasons, prior registration is required.

info@kunsthaus.ch, +41 44 253 84 84

The Kunsthaus Zürich presents Marina Abramović’s first comprehensive retrospective in Switzerland. It includes works from all her creative periods, along with live restagings of some historical performances. Of particular interest is a new piece designed specially for Zurich that directly involves the audience. Abramović is known for her ‘long-durational performances’, in which she explores physical and mental limits. These works invite visitors to experience mindfulness and self-perception in new ways.

The exhibition covers a range of media, including video, photography, sculpture and drawing, along with live restagings of iconic performances such as ‘Imponderabilia’ and ‘Luminosity’. In ‘Imponderabilia’, visitors have to literally pass between the artists, a powerful physical and mental experience in its own right. Abramović’s focus on interaction and participation, which is also in evidence in ‘Decompression Chamber’, the work developed specially for Zurich, makes this retrospective unique.

Where is the exhibition located?

At the Moser-Building 1nd floor, see our interactive visitor guide!

Marina Abramović’s first retrospective in Switzerland is being developed in close collaboration with the artist. It is a cooperation with the Royal Academy in London, the Stedelijk Museum in Amsterdam and the Kunstforum Vienna.

Supported by Swiss Re, Partner for contemporary art, and the Georg and Bertha Schwyzer-Winiker Foundation .


Trigger warning

Please note that in the exhibition, during the performances, there are depictions of nudity and works of art on the themes of death and physical pain that may be perceived as disturbing.

Imponderabilia
Imponderabilia, performance at the Kunsthaus Zürich, 2024, photo © Franca Candrian

Performances in the exhibition


Imponderabilia, 1977

Daily: 10.15 am / 12.15 pm / 2.30 pm / 4.30 pm Thursdays additionally: 6.30 pm
Duration: 60 minutes

Luminosity, 1997

Daily: 11.45 am / 2.00 pm. Thursdays additionally: 3.30 pm / 5.30 pm
Duration: 30 minutes

Decompression Chamber, 2024

Visitor participation in exercise
Daily: 10.30 am–5.30 pm.
Duration: unlimited

Counting the Rice, 2014

Visitor participation in exercise
Daily: 10.15 am – 5.30 pm. Thursdays: 10.15 am – 7.30 pm
Duration: unlimited

The performances in the exhibition are performed by people who have been cast and trained by the Marina Abramović Institute. Programme subject to change.

Four Crosses (detail), 2019. Exhibition view at the Royal Academy of Arts, London, 23.9.2023 – 1.1.2024. Courtesy of the Marina Abramović Archives. © Marina Abramović. Photo © Royal Academy of Arts / David Parry

One-off presentation of the installation ‘Four Crosses’ in the Wasserkirche.

From 28.11.2024 to 5.1.2025

Abramović's work ‘Four Crosses’ is one of her most visually impressive pieces. The large crosses, tilted into the room, cast a spell over the viewer. Abramović shows herself in ‘good’ and ‘bad’ poses and scrutinises Christian images of women: When is a woman considered ‘good’ or ‘evil’? As an exhibition venue, the Wasserkirche Zurich emphasises this theme, as it now serves as a cultural laboratory and is closely linked to the city's history.

NOTE: On 24 and 25 December 2024, the ‘Marina Abramović - Exhibition’ in the Wasserkirche will be closed.

Supported by the Wilde Gallery .

#kunsthauszurich

Programme

Public guided tours in English

Thursdays, 6.30 pm-7.30 pm.
See our timeslot ticketing for available spots.

The tour begins with fascinating insights into the life and artistic work of the artist. We then accompany you on a tour of the exhibition, which ends with an open round of questions about the individual works.

Marina_Abramovic_Führungsteaser
Photo © Caroline Minjolle

Private guided tours


Group size: max. 20
Languages: German, English, French, Italian, Dutch, Japanese, Chinese (other languages on request)

  • 1 hour tour: CHF 210.– (German) / CHF 240.– (other languages)
    + Admission tickets p.p. CHF 17.– (Exhibition ticket – group rate)

Requests should normally be submitted at least a week before your desired date. kunstvermittlung@kunsthaus.ch, phone +41 44 253 84 06 (Mon–Fri 9 a.m.–midday)

The_Message_Marina_Abramovic_1920x1920

Limited photo edition and poster Kunsthaus Zürich X NZZ

Marina Abramović has created the limited edition ‘The Message’ (2024) for the Kunsthaus Zürich. Photographed by Michel Comte in New York, available as a numbered, signed photo edition and poster. Available in the NZZ Online Shop and in our museum shops.

For personal advice, please contact our shop manager Urs Steiner: urs.steiner@kunsthaus.ch.

Photo edition

Inkjet on Hahnemühle Photo Rag Baryta 310 g/m²

  • 10 photo prints 50 x 60 cm, price CHF 12'500.–
  • 65 photo prints 30 x 40 cm, price CHF 2'250.–

Posters

  • 500 poster prints 70 x 100 cm, price CHF 250.–

No member discounts

Supported by:

Ill.: Marina Abramović, The Spirit in Any Condition Does Not Burn, 2011, © Courtesy of the Marina Abramović Archives / 2024, ProLitteris, Zurich