Collection Emil Bührle

Paul Cézanne, Le Garçon au gilet rouge, about 1888/90, Emil Bührle Collection, long-term loan at the Kunsthaus Zürich

Claude Monet, Champ de coquelicots près de Vétheuil, about 1879, Emil Bührle Collection, long-term loan at the Kunsthaus Zürich

Paul Gauguin, L'Offrande, 1902, Emil Bührle Collection, long-term loan at the Kunsthaus Zürich

Eugène Delacroix, Muley Abd-el-Rahman, 1862, Emil Bührle Collection, long-term loan at the Kunsthaus Zürich

Antonio Canal (Il Canaletto), Santa Maria della Salute, about 1738/42, Emil Bührle Collection, long-term loan at the Kunsthaus Zürich

A major collection of French Painting

'A Future for the Past. The Bührle Collection: art, context, war and conflict' new presentation.

The traditionally strong presence of French painting in Switzerland receives a decisive deepening in the area of the collection through the spatial and organisational connection of the Emil Bührle Collection under the roof of the Kunsthaus Zürich. With this highly publicised focus, Zurich now ranks directly behind Paris in Europe.

Works by the Nabis, the Fauves, the Cubists and other representatives of the French avant-garde after 1900 are attached to this core. Older art is represented by the great Dutch 17th century and Venetian masters, as well as by a group of Gothic wooden sculptures. The Emil Bührle Collection includes world-famous works such as 'The Sower at Sunset' by Vincent van Gogh, 'Little Irene" by Auguste Renoir, 'The Field of Poppies at Vétheuil' by Claude Monet, 'The Boy with the Red Waistcoat" by Paul Cézanne and a 'Reclining Nude' by Modigliani. The artists in the collection include Canaletto, Ingres and Delacroix, as well as Manet, Degas, Gauguin, Signac, Vlaminck, Braque and Picasso. The loan contract for 203 works is permanent and can only be terminated with many years' notice, for the first time at the end of 2034.

Exhibition view of the new presentation.

The world-renowned Impressionist works bequeathed by Emil Bührle (1890-1956) are closely intertwined with his activities as an armaments industrialist and with contemporary history, which is the subject of a detailed documentation. It is part of the tour through the halls, in which around 170 works are shown on more than 900 m2 , and conveys the historical context of Bührle's role as industrialist, patron and collector, who was closely associated with the Kunsthaus.

Gifts such as the large-format water lily paintings by Claude Monet or the Gates of Hell by Auguste Rodin have become an integral part of the collection. By financing an exhibition wing in the 1950s, Emil Georg Bührle created a platform for unique events, where art and the public meet directly to this day.

The digitised archive of the Bührle Collection and that of the Zürcher Kunstgesellschaft is open to researchers in the Kunsthaus Library. A thorough presentation 'The Emil Bührle Collection. History, Complete Catalogue and 70 Masterpieces' (2021) by Lukas Gloor, long-time director of the collection, places it in the larger context of the cultivation of modern art in the 20th century. This creates both easily accessible and academically sophisticated conditions for studying the Emil Bührle Collection.

Website of the E.G. Bührle Foundation

Evaluation of the provenance research

Installation Round Table

Final Report Round Table

Mandate for Raphael Gross

Update from 14 June 2024

The Kunsthaus Zürich has been informed by the E. G. Bührle Collection Foundation that it is seeking solutions with the legal successors of the former owners for six works in the collection.

The Board of Trustees has reassessed the provenance of the works. The reason for this is the new "Best Practices" for dealing with Nazi-looted art published by the US State Department in March 2024. These represent an expanded interpretation of the so-called "Washington Principles" of 1998. This practice corresponds to the new provenance strategy adopted by the Kunsthaus Zürich in March 2023.

We welcome this step and the position of the Emil Bührle Collection Foundation, even if we regret that five of the paintings will be removed from the rooms of the Kunsthaus by the Bührle Foundation from Thursday 20 June, with a view to our visitors. However, the Foundation is acting in accordance with the subsidy agreement with the City of Zurich and the provisions of the permanent loan agreement.

Press release from the E.G. Bührle Collection Foundation (German)

Statement of the Kunsthaus Zürich in the Bührle Collection case

Infographic