Monet, Warhol, Taeuber-Arp, Sherman, Picasso, Gertsch or Tinguely: Kunsthaus Zürich presents works by well-known artists that many associate with the museum – alongside pieces that may be less familiar. The exhibition brings selected works from the collection into dialogue and invites visitors to view icons from new perspectives, discover unexpected connections and experience the diversity of the collection in a concentrated form.

Claude Monet, Le Bassin aux nymphéas avec iris, 1914/1922, Kunsthaus Zürich, gift of Emil G. Bührle, 1952

Familiar works, new perspectives

Tickets

Adults CHF 31.– / Concessions CHF 22.–* incl. Collection & small exhibitions.
*Reduced rate

Membership

Free admission plus invitations to all openings and many other benefits!

Claude Monet’s water lilies, Andy Warhol’s soup can, Arnold Böcklin’s preaching Saint Anthony, Francis Bacon’s triptych and Franz Gertsch’s ‘Franz and Luciano’: ‘Icons. Selected Works from the Collection’ brings together some of the best-known works at Kunsthaus Zürich. In the Chipperfield building, the Kunsthaus presents selected highlights across around 800 m², with works by artists including Albert Anker, Heidi Bucher, Ferdinand Hodler, Marlow Moss, Pablo Picasso, Auguste Rodin, Cindy Sherman, Sophie Taeuber-Arp and many others. Familiar works enter into new relationships with one another, opening up unexpected perspectives on the collection.

Created between 1622 and 1998, paintings, sculptures and works on paper from different periods come together in chronological and transhistorical groups. Works by Claude Monet, for example, are shown alongside Ferdinand Hodler, Paul Gauguin and Pierre Bonnard, while a monumental machine sculpture by Jean Tinguely is combined with a painting by H. R. Giger. Curated by Maja Wismer, the exhibition invites visitors to see familiar icons differently, discover surprising connections and encounter the collection anew in all its diversity. The presentation is complemented by personal perspectives: well-known and lesser-known Zurich residents have each selected a work from the collection and explain why it particularly moves or accompanies them. Their texts open up individual approaches to the works and show how differently art can be experienced.

The exhibition has been generously supported by a Zurich cultural foundation.

Francis Bacon, Three Studies of the Male Back. Triptych, 1970, Kunsthaus Zürich, Vereinigung Zürcher Kunstfreunde, 1982, © 2026, ProLitteris, Zurich

‘Many of our highlights are always welcome guests in international museums and major cities. But above all, these works are at home at Kunsthaus Zürich.’

– Maja Wismer, Head of Collection & Research

Gallery

Picasso, Grand nu, 1964
Pablo Picasso, Grand nu, 1964, Kunsthaus Zürich, 1969, © 2026, ProLitteris, Zurich
chagall
Marc Chagall, Les Amoureux en gris, 1956–1960, Kunsthaus Zürich, gift of Vava Chagall, 1973, © 2026, ProLitteris, Zurich
Gogh_Vincent-van__VE__R_@4715
Vincent van Gogh, La Maison du Père Pilon, 1890, private collection, © 2026, ProLitteris, Zurich
Mondrian
Piet Mondrian, Composition with Red, Blue and Yellow, 1930
Stunde Null Taeuber Arp Kunsthaus Zürich
Sophie Taeuber-Arp, Douze Espaces à plans, bandes angulaires et pavés de cercles, 1939, Kunsthaus Zürich, gift of Hans Arp, 1958
Gertsch, Franz und Luciano, 1973
Franz Gertsch, Franz und Luciano, 1973, Kunsthaus Zürich, 1977, © 2026, ProLitteris, Zurich
fuessli-titan
Johann Heinrich Füssli, Titania Caressing Bottom with the Donkey’s Head, 1793–1794, Kunsthaus Zürich, Vereinigung Zürcher Kunstfreunde, 1941
Kirchner_Ernst-Ludwig__1950_0010__R_@124
Ernst Ludwig Kirchner, Sertigtal, 1922, Kunsthaus Zürich, 1950
SliderSmall_Rodin_13.png
Auguste Rodin, Jean d’Aire (étude de nu pour les Bourgeois de Calais), 1887, Kunsthaus Zürich, permanent loan from the Canton of Zurich, 1949. The restoration was supported by the Bank of America Art Conservation Project.
hodler-baum
Ferdinand Hodler, Tree by Lake Brienz Seen from the Bödeli, c. 1906, Kunsthaus Zürich, donation from a private collection, 2023
roederstein-verlobten
Ottilie Wilhelmine Roederstein, The Betrothed, 1897, Kunsthaus Zürich, 1897
Bonnard_Pierre__2260__R_@994
Pierre Bonnard, Signac et ses amis en barque, c. 1924, Kunsthaus Zürich, 1932
Chirico_Muse
Giorgio de Chirico, Le muse inquietanti, 1918, Kunsthaus Zürich, private collection, © 2026, ProLitteris, Zurich

Image above: Andy Warhol, Big Torn Campbell’s Soup Can (Vegetable Beef), 1962, Kunsthaus Zürich, 1975, © 2026, ProLitteris, Zurich