When everyday objects lose their shape

A huge ice-cream cone, a sagging light switch made of fabric and an oversized pistol: in the works of Claes Oldenburg (1929, Stockholm – 2022, New York), the world is as strange as in ‘Alice in Wonderland’. In an era of climate change and political upheaval, Pop Art pioneer Oldenburg is as topical as ever and prompts us to rethink consumption, value and our relationship with everyday objects. There is good reason to stage this exhibition in the Dada city of Zurich. Dada, born out of sharp protest against the horrific absurdities of World War I, is characterized by a radical rejection of logic, reason and traditional values. Oldenburg revives those ideas and connects them to the everyday and consumer culture of his time. With his sharp wit and absurd contrasts, he still challenges traditional artistic taste.

This first posthumous retrospective in Europe is a collaboration with the Moderna Museet, Stockholm.

Supported by UBS, Partner Kunsthaus Zürich

Claes Oldenburg/Coosje van Bruggen, Knife Ship 1:12, 2008 © The Claes Oldenburg and Coosje van Bruggen Estate Photo: Courtesy Pace Gallery
Kunsthaus_RomanSigner_030425_©CarolineMinjolle_038_web
Members at the opening of the Roman Signer exhibition, 2025

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Look forward to the exhibitions ahead and secure your 2027 membership now. From today until the end of 2027, you can visit all exhibitions and the collection free of charge and receive invitations to all exhibition openings. You also benefit from many other advantages when visiting Kunsthaus Zürich.

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Ill.: Claes Oldenburg, Geometric Mouse, 1972, Moderna Museet, Stockholm, donation in 1973 © Estate of Claes Oldenburg,Photo: Erik Cornelius/Moderna Museet